Andrew Hazewinkel

PRESENCE ELSEWHERE
By Paul G. Johnston

In this essay Johnston considers the unique contributions to the current discourse concerning museums and their role in the twenty first century made by Hazewinkel's suite of photographic works Journeys in the Lifeworld of Stones (Displacements I-X)

JOURNEYS IN THE LIFEWORLD OF STONES
(DISPLACEMENTS I-X) 2010-2020
By A.Hazewinkel and P.G. Johnston

Exhibition catalogue, including artist notes composed during the creation of each artwork, and the essay Presence Elsewhere by Paul G. Johnston in which he situates Hazewinkel’s work in relation to the nuanced considerations currently unfolding at the periphery of the important discourses concerning the restitution of looted objects to the cultures from which they originate.

FROM LIMBO TO MASHUP
AND THE SPELL OF THE FAKE
By Andrew Hazewinkel

In this paper, Cognitive Archaeology's Material Engagement Theory is engaged as a means to consider some of the material interests and the social dimension of contemporary photographic practice in relation to photographic archives.

NOTES ON THE WORK OF ANDREW HAZEWINKEL

By Professor Ross Gibson

In these notes Ross Gibson considers the presence of Antiquity's contemporary spirit in Hazewinkel's sculptural, photographic and moving image artwork The Ongoing Remains (3 Parts) which was commissioned by the Art Gallery of New South Wales for the second iteration of The National 2019: New Australian Art.

THE SLEEP OF REASON

By Anthony Gardner

In this text Gardner takes Francisco Goya's 1799 etching The Sleep Of Reason Produces Monsters as his point of departure to consider dreaming, restlessness and desire in Hazewinkel's re-enlivening of three ancient bronze and stone sculptures in his 2014 sculptural and moving-image installation All in Time.