Andrew Hazewinkel

PRESENCE ELSEWHERE
By Dr Paul G. Johnston

In this essay Johnston considers the unique contributions made by Hazewinkel's suite of photographic works Journeys in the Lifeworld of Stones (Displacements I-X), to the current discourse concerning the restitution of looted cultural heritage and more broadly the function of museums and their role potential role in the twenty first century.

JOURNEYS IN THE LIFEWORLD OF STONES
(DISPLACEMENTS I-X) 2010-2020
By Drs A.Hazewinkel and P.G. Johnston

Exhibition catalogue, including artist notes composed during the creation of each artwork, and the essay Presence Elsewhere by Paul G. Johnston in which he situates Hazewinkel’s work in relation to the nuanced considerations unfolding at the periphery of the important discourses concerning the restitution of looted objects to the cultures from which they originate.

THE PAST IS NOW: YIORGOS LAZONGAS: MYTHS AND ANTIQUITY: NATIONAL ARCHAEOLOGICAL MUSEUM ATHENS
By Dr Andrew Hazewinkel

In this article I discuss the artworks, practices and conceptual concerns of the Greek artist Yiorgos Lazongas (1945-1922) with specific focus on the artist's complex and nuanced relationship to eastern mediterranean antiquity. Staged across three of the National Archaeological Museum's main galleries The Past is Now was the first significant presentation of a living artist's work within the context of ancient objects drawn from the Museum's Collections.

FROM LIMBO TO MASHUP
AND THE SPELL OF THE FAKE
By Dr Andrew Hazewinkel

In this paper, Cognitive Archaeology's Material Engagement Theory is engaged as a means to consider some of the material interests and the social dimension of contemporary photographic practice in relation to photographic archives.

UNBOUND OBJECTS: NOTES ON THE EXHIBITION THEORIMATA 2 - ON HISTORY: EMST NATIONAL MUSEUM FOR CONTEMPORARY ART ATHENS
By Dr Andrew Hazewinkel

This text is a critical response to a selection of works presented in the exhibition Theorimata 2 - On History presented at EMST the National Museum of Contemporary Art Athens. The idea that knowledge of the past can be deployed as a tool for interpreting the present, and function as a future-shaping force, as mentioned in Thucydides’ first book of the Peloponnesian War, resonated throughout.

NOTES ON THE WORK OF ANDREW HAZEWINKEL
By Professor Ross Gibson

In these notes Ross Gibson considers the presence of Antiquity's contemporary spirit in Hazewinkel's sculptural, photographic and moving image artwork The Ongoing Remains (3 Parts) which was commissioned by the Art Gallery of New South Wales for the second iteration of The National 2019: New Australian Art.

THE SLEEP OF REASON
By Professor Anthony Gardner

In this text Gardner takes Francisco Goya's 1799 etching The Sleep Of Reason Produces Monsters as his point of departure to consider dreaming, restlessness and desire in Hazewinkel's re-enlivening of three ancient bronze and stone sculptures in his 2014 sculptural and moving-image installation All in Time.

LUCCIOLE
By Professor Anthony Gardner

In this text, originally published in the Acqua Alta Project publication, Gardner draws correlations between the photographic, filmic, sculptural, and installation-based elements of the project, and what Pier Paolo Pasolini and George Didi-Huberman refer to as ‘minor histories'. He highlights the important position minor histories hold in recording the past which manifests through their capacity to evade capture within the dominant understanding of history and rigid architectures of knowledge.

OF GREEKS AND CONTEMPLATION : THE ANTIQUE AND THE EVERYDAY
By Dr Rebecca Coates

In this text, originally published in the Acqua Alta Project publication, Coates highlights mirroring and reflection as visual and cognitive strategies used in the four solo exhibitions of the project, and discusses correspondence between the created and found objects, research experiences, and works from art history that give full form to project. Including E.Hesse’s minimalist explorations, a little-known drawing by Leonardo Da Vinci A cloudburst of material possessions, and R.Wilson's 20: 50

HOW MIGHT A THREAD OF MOMENTS BE LIKE THE SPACE OF A RIVER?
By Geraldine Kirrihi Barlow

In this text, originally published in the Acqua Alta Project publication, Kirrihi Barlow considers the four evolving presentations of the Acqua Alta Project as an elaboration of definitional tensions that create flows of meaning between apparent polarities: symbolic markers of the celebratory and elegiac, provisional and monumental architectures, liquid and solid, the clean and unclean, and spaces of nature and culture.

FCO - MEL UNSPOOLING (english)
By Dr Stefania Manna

In this text, published in English and Italian in the Acqua Alta Project publication, Manna considers the ways through which the spatially sensitive installation and sculptural elements of project’s four solo presentations destabilize the authority of the architectures that they occupied.

FCO - MEL UNSPOOLING (italiano)
By Dr Stefania Manna

In questo testo, pubblicato in inglese e italiano nella pubblicazione Acqua Alta Project, Manna considera i modi attraverso i quali l'installazione spazialmente sensibile e gli elementi scultorei delle quattro presentazioni personali del progetto destabilizzano l'autorità delle architetture che occupano.